You are a sucker.
Every day, you work for free, doing work that used to be done for a wage.
You work for nonprofits, government entities, wealthy companies. And you don’t even know that you’re do it.
This work is hard to track. There’s a Bureau of Labor, but no bureau of this kind of work. There aren’t any unions that can represent you, labor laws that can protect you. But this work has a massive effect on your quality of life. It’s called shadow work: the small pieces of unpaid labor we do in our day-to-day lives. Continue reading
A good book on writing needs to do a couple of things.
First, and most books get this right, is to instruct. It should teach you something about the craft of writing. It should tell you things you didn’t know before, or make the invisible visible.
Elements of Style is a great old stand-by of this type, and probably one of the first writing books you read. ‘Omit needless words’ still rings in my head every time I try to edit something.
The second, and this is harder, is inspire, to actually make you want to write.
I always looked at Zen and the Art of Writing by Ray Bradbury as a shining example of inspiration. It’s really, really hard to read it and not want to write with gusto. It’s less successful in instruction, but that’s not what he’s going for, really. Ray Bradbury let all his subconscious do the work; we mortals need to know how to build houses before we burn them down.
The book Starve Better: Surviving the Endless Horror of the Writing Life by Nick Mamatas is one of the few that does a good job of both. It’s an excellent book, well worth the time of any writer interested in writing things so other people will read them. Continue reading